CONTAGIOUS ARCHITE COMPUTATION, AESTHETICS, AND SPACE LUCIANA PARISI Contagious Architecture Technologies of Lived Abstraction Brian. In Contagious Architecture, Luciana Parisi offers a philosophicalinquiry into the status of the algorithm in architectural and interaction design. Luciana Parisi is Reader in Cultural Studies and Director of the PhD programme at the In , she published Contagious Architecture.
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Omega therefore suggests that there is no codified simplicity at the bottom of complexity. If interactive and digital architectures shift from former Euclidean conceptions of space and time to the production of new topological geometries, Parisi argues that we also need to develop a new understanding of the digital itself.
But by not addressing the more general ecology lucixna relations notably between architecture and the city to which this organisational logics are bound, she also risks reducing the question of politics and control to a formal and logical problem.
Speculative Architectures | Mute
My research explores theoretical approaches to materialism within the social sciences, taking inspiration from the work of Guattari, Deleuze and Whitehead. However, I think her use of Whitehead poses some important questions for those interested in new materialist debates, namely: What enables, probes, and unleashes t his urgency t o ret hink t he digit al by speculat ing t hat we do not even know what it can do?
Her interest in interactive pafisi has also led her research to engage more closely with computation, cognition, and algorithmic aesthetics.
I am also intrigued by the confagious ‘speculative realist’ and ‘object-oriented’ movements, and would like to explore these themes further. T his int ent ion is shared by a current wave of media t heorist s and a body of work t haton t he surf ace, seems t o undert ake an impossible t ask: This page was last modified on 6 Octoberat This blog is an attempt to think ‘new materialist’ theory through the spaces and assemblages of my day-to-day.
Algorithmic Thought: a review of Contagious Architecture by Luciana Parisi : Computational Culture
Ecotechnics Just another WordPress. The Aesthetics of Luciaana Articles from Computational Culture Algorithmic Thought: Help Center Find new research papers in: Why objects, one might retort? By addressing the computational logic at stake in parametric architecture, Parisi lays bare the organisational logics that shape our environment. Exploring Pleasure, Pain and Paradox in Computinged.
T his view is very dif f erent f rom t he t opological st andpoint of paramet ricism, t he current global st yle of f luid archit ect ure, which assumes event s as contagkous f rom a relat ional cont inuit y bet ween inf init esimal point s of cont ingencies t hat lie out side t he program. You are commenting using your WordPress.
Specifically engaging with cybernetics, information theories, and evolutionary theories, her work analyses the radical transformations of the body, nature, matter and thought led by the technocapitalist development of biotechnologies and computation.
On the one hand that they correspond to a set of finite instructions first-order cybernetics ; on the other that they are able to adapt and vary according to external stimulations and changing conditions second-order cybernetics.
In a note on pageParisi writes:. Against the metacomputational view of a universe contained in simpler axioms, I will argue that incomputable limits are truly intrinsic to computation. Imagination and Imagery in Architecture. Bernd Herzogenrath, New York: Omega def ines an algorit hmically incompressible real number locat ed somewhere bet ween 0 and 1 which at some point in it s calculat ion f orces t he limit ed resources of any comput er architectture o come t o a halt.
Second-order cybernetics, which Parisi argues constitutes the dominant interactive paradigm of capitalism today, revolves around the idea that the observer is also part of the system and concerns notions of reflexivity, self-organisation, autopoiesis, the contingency of environmental factors, and the indeterminacy of living systems. Thought and matter are thus parallel expressions of substance, and do not relate to each other through causal mechanisms.
Ranging from computation and digital metaphysics to algorithmic objects, aesthetics and architecture, the book archtecture points architcture theoretical intervention.
This view is very different from the topological standpoint of parametricism, the current global style of fluid architecture, which assumes events as deriving from a relational continuity between infinitesimal points of contingencies that lie outside the program.
In Whitehead, prehensions define what an actual occasion event is and how it relates to others. Again, far from addressing computation from the outside, it is on the level of computation and within its logic that Parisi seeks to distinguish between preemptive technologies of control, and an aesthetics that would be more open to contingencies, potentialities and unpredictable change.
In this part, Contagious Architecture rounds up its larger intent of mapping computation — through its centrality to digital architecture — as a speculative operation traversed by infinities. Jack Copeland – – Synthese 3: Omega t heref ore suggest s t hat t here is no codif ied simplicit y at t he bot t om of complexit y.
The key question for Parisi is thus: This argument presents significant contributions to the development of a non-anthropocentric definition of thought.